Naumann, Francis M.

Scope and Contents From the Sub-Series: By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...

Scope and Contents From the Sub-Series:

Two typescript articles by Francis M. Naumann.

Scope and Contents From the Sub-Series:

Copies of letters between Charles Covert Arensberg and various correspondents, including Marcel Duchamp, Jennifer Gough-Cooper, and Francis Naumann, written after Covert's death and pertaining to his works of art.

Scope and Contents From the Sub-Series:

Two typescript articles by Francis M. Naumann.

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New York Observer. "Here Comes the Whitney, Now that Dada's Dead" by Hilton Kramer [copy]. Review of "Making Mischief" exhibition at Whitney Museum of American Art.

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New York Times. "Duchamp's Replications. Duchamp's Replications." by Grace Glueck [copy].

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Philadelphia Inquirer. "Memories of Marcel" by Edward J. Sozanski [copy].

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Shoshana Wayne Gallery. Press releases for "Marcel Duchamp" exhibition and "West Coast Duchamp" publication.

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Press releases for Tout-Fait, the Marcel Duchamp Online Journal, from the Art Science Research Laboratory, Inc.

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"Weekend Celebration of Duchamp Centennial." Press release from the Philadelphia Museum of Art.