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Pach, Walter, 1883-1958

 Person

Found in 133 Collections and/or Records:

Notes regarding ownership of Marcel Duchamp's artworks, undated

 Object — Box: 43, Folder: 25
Identifier: WLA_B043_F025_001
Scope and Contents

Duchamp, Marcel. Notes regarding ownership of his art works. Manuscript.

Dates: undated

Pach, Walter, 1931-1932

 File — Box: 22, Folder: 14
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1931-1932

Pach, Walter, 1949

 File — Box: 73, Folder: 19
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949

Pach, Walter, 1925-1929

 File — Box: 21, Folder: 11
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1925-1929

Pach, Walter, 1954

 File — Box: 1, Folder: 33
Scope and Contents From the Series:

Correspondence with the Foundation staff, primarily Elizabeth Wrigley, although there is some correspondence of Walter Arensberg and other staff members.

Dates: 1954

Pach, Walter. "American art in the Louvre." The fine arts 20 (May 1933). Photocopy (2 sets), undated

 File — Box: 21, Folder: 9
Scope and Contents From the Sub-Series: Periodical writings about Thomas Eakins's life and work are the major elements of this subseries. In addition to Alan Burroughs's 1924 catalog for the Arts magazine, which Goodrich often referenced in his research of Eakins, there are several writings each by noted Eakins scholars, Gordon Hendricks and William Inness Homer. Another contributing writer to this subseries is a student of Eakins, Charles Bregler, who later compiled a major collection of his teacher's works....
Dates: undated

Pach, Walter. Ananias; or the false artist (1928). Photocopied excerpts, undated

 File — Box: 24, Folder: 12
Scope and Contents From the Sub-Series: While many of the titles in this subseries represent works devoted to the life and works of Thomas Eakins, a significant number are the catalogs or handbooks published by museums with holdings that include works by Eakins. In regard to the former, Goodrich acquired several of Gordon Hendrick's studies. From the numerous annotations made to one of his copies of Hendrick's 1974 work, Goodrich considered it a significant resource for his own studies. Another book heavily annotated is that by...
Dates: undated

Pach, Walter. "First portfolio of American art." Art news 35 (3 October 1936), October 3, 1936

 File — Box: 21, Folder: 10
Scope and Contents From the Sub-Series: Periodical writings about Thomas Eakins's life and work are the major elements of this subseries. In addition to Alan Burroughs's 1924 catalog for the Arts magazine, which Goodrich often referenced in his research of Eakins, there are several writings each by noted Eakins scholars, Gordon Hendricks and William Inness Homer. Another contributing writer to this subseries is a student of Eakins, Charles Bregler, who later compiled a major collection of his teacher's works....
Dates: October 3, 1936

Pach, Walter. "Painting: a grand provincial." Letters to the editor. The freeman 7 (11 April 1923). Photocopy, undated

 File — Box: 21, Folder: 11
Scope and Contents From the Sub-Series: Periodical writings about Thomas Eakins's life and work are the major elements of this subseries. In addition to Alan Burroughs's 1924 catalog for the Arts magazine, which Goodrich often referenced in his research of Eakins, there are several writings each by noted Eakins scholars, Gordon Hendricks and William Inness Homer. Another contributing writer to this subseries is a student of Eakins, Charles Bregler, who later compiled a major collection of his teacher's works....
Dates: undated

Pach, Walter. Queer thing, painting (1938). Photocopied excerpts, 1984

 File — Box: 24, Folder: 13
Scope and Contents From the Sub-Series: While many of the titles in this subseries represent works devoted to the life and works of Thomas Eakins, a significant number are the catalogs or handbooks published by museums with holdings that include works by Eakins. In regard to the former, Goodrich acquired several of Gordon Hendrick's studies. From the numerous annotations made to one of his copies of Hendrick's 1974 work, Goodrich considered it a significant resource for his own studies. Another book heavily annotated is that by...
Dates: 1984

Additional filters:

Subject
correspondence 72
Philadelphia, United States 33
New York City, United States 31
Hollywood, United States 21
clippings (information artifacts) 12