Tobey, Mark

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Archives of American Art journal. "An interview with Katharine Kuh" conducted by Avis Berman and edited by William McNaught [copy].

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Correspondence from Douglas MacAgy, Director of the California School of Fine Arts, to Walter Arensberg.

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Correspondence from Douglas MacAgy, Director of the California School of Fine Arts, to Walter Arensberg. Includes list of symposium participants, outline for the Western Roundtable on Modern Art, and a typescript of MacAgy's section of the exhibition catalogue for "Illusionism and Trompe L'Oeil."

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"Critic's Role Discussed by Rountable on Modern Art" by R. H. Hagan. Clipping from the San Francisco Chronicle.

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Marcel Duchamp and others at Western Round Table on Modern Art. Clockwise from left: Frank Lloyd Wright, George Boas, Marcel Duchamp, Kenneth Burke, Robert Goldwater, Gregory Bateson, Mark Tobey, Andrew Ritchie, Darius Milhaud, Alfred Frankenstein. University of California, San Francisco. School of Fine Arts.

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Marcel Duchamp and others at Western Round Table on Modern Art. Seated left to right: Gregory Bateson, Marcel Duchamp, George Boas, Frank Lloyd Wright, Andrew Ritchie, Darius Milhaud. Standing left to right: Mark Tobey, Robert Goldwater, Douglas MacAgy [?], Kenneth Burke, Alfred Frankenstein. University of California, San Francisco. School of Fine Arts.

Scope and Contents Marcel Duchamp and others at Western Round Table on Modern Art. Seated left to right: Gregory Bateson, Marcel Duchamp, George Boas, Frank Lloyd Wright, Andrew Ritchie, Darius Milhaud. Standing left to right: Mark Tobey, Robert Goldwater, Douglas MacAgy [?], Kenneth Burke, Alfred Frankenstein. University of California, San Francisco. School of Fine Arts. Copy print received from the Museum of Modern Art. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum...

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San Francisco Art Association Bulletin, Vol. 15, No. 3.

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San Francisco Art Association Bulletin, Vol. 15, No. 4.

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San Francisco Art Association. "Western Roundtable on Modern Art" conference. Marcel Duchamp's transcript of Friday afternoon session. Typescript carbon.