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Wood, Beatrice

 Person

Biography

Beatrice Wood (1893-1998) was born on March 3, 1893 in San Francisco and raised in New York City. The daughter of affluent socialites, Wood studied painting at the Julian Academy and acting at the Comédie Francaise in Paris at the age of 18. Upon her return to New York, she joined the French Repertory Company and in 1916, befriended the artist Marcel Duchamp and the writer and diplomat Henri Pierre Roché. The three founded and published the short-lived little magazine The Blind Man, one of the earliest manifestations of Dada in Americirca Through Duchamp, Wood met the art collectors Walter and Louise Arensberg, artists Man Ray, Francis Picabia, and Charles Sheeler, and the poet Mina Loy. Wood became a regular participant in the frequent gatherings of intellectuals, artists, and writers at the Arensbergs' West 67th Street apartment. With Duchamp's encouragement, Wood returned to drawing and painting, submitting a work to the 1917 exhibition of the Society of Independent Artists.

Wood relocated to Montreal in 1919 to continue her acting career and there she married Paul Renson, a theater manager. She soon annulled the marriage and returned to New York City. Around 1926, Wood moved to Los Angeles and then to Hollywood, California, where she renewed her friendship with the Arensbergs. In 1938, she married Steve Hoag, an engineer. By all accounts the marriage was not a happy one, yet the couple lived together until his death in 1960. In 1948, they relocated to Ojai, California to be near the Indian sage Krishnamurti, the leader of the Theosophical Society, to which Wood had belonged since 1923.

Wood first became interested in ceramics in 1933 after purchasing a set of luster-glaze plates at an antique store. She soon enrolled in a pottery course in the Adult Education Department of Hollywood High School. She later studied briefly with the Austrian ceramists Gertrud and Otto Natzler. For the next sixty years, Wood supported herself creating and selling pottery and in 1956 she opened her own studio. At first, she concentrated on dinner sets, but by the mid-1970s she began to specialize in more elaborate, decorative bowls, vases and chalices with complex luster glazes. Wood continued to work at her potter's wheel until two years before her death in 1998 at the age of 105.

Found in 191 Collections and/or Records:

Note about Alexander Tiers and Beatrice Wood, 1952 October 8

 Object — Box: 20, Folder: 45
Identifier: WLA_B020_F045_003
Scope and Contents

Note about Alexander Tiers and Beatrice Wood.

Dates: 1952 October 8

Note about gift to Beatrice Wood, circa 1953

 Object — Box: 20, Folder: 45
Identifier: WLA_B020_F045_008
Scope and Contents

Note about gift to Beatrice Wood.

Dates: circa 1953

Note about Mrs. Arensberg's last letter to Beatrice Wood, circa 1954

 Object — Box: 181, Folder: 1
Identifier: FKR_B181_F001_068
Scope and Contents

Note about Mrs. Arensberg's last letter to Beatrice Wood.

Dates: circa 1954

Note about sending Chagall catalogue to Beatrice Wood, 1952 November 19

 Object — Box: 20, Folder: 45
Identifier: WLA_B020_F045_009
Scope and Contents

Note about sending Chagall catalogue to Beatrice Wood.

Dates: 1952 November 19

Note about sending Time and Eternity and Idea of the Holy to Beatrice Wood, 1952 December 10

 Object — Box: 20, Folder: 45
Identifier: WLA_B020_F045_010
Scope and Contents

Note about sending Time and Eternity and Idea of the Holy to Beatrice Wood.

Dates: 1952 December 10

Notes about sending Arensberg catalogues, circa 1954

 Object — Box: 181, Folder: 5
Identifier: FKR_B181_F005_013
Scope and Contents

Notes about sending Arensberg catalogues written by Fiske Kimball, Director of the Philadelphia Museum of Art.

Dates: circa 1954

Notes and research related to Beatrice Wood, circa 1972-1973

 Object — Box: 12, Folder: 20
Identifier: MDE_B012_F020_001
Scope and Contents

Notes and research related to Beatrice Wood compiled by Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art.

Dates: circa 1972-1973

Notes from eighteenth conversation with Marcel Duchamp, 1945 July 5

 Object — Box: 3, Folder: 15
Identifier: MDP_B003_F015_001
Scope and Contents

Sweeney, James Johnson. Notes from eighteenth conversation with Marcel Duchamp. Typescript.

Dates: 1945 July 5

Notes from twentieth conversation with Marcel Duchamp, 1945 July 19

 Object — Box: 3, Folder: 17
Identifier: MDP_B003_F017_001
Scope and Contents

Sweeney, James Johnson. Notes from twentieth conversation with Marcel Duchamp. Typescript.

Dates: 1945 July 19

Additional filters:

Type
Archival Object 189
Collection 2
 
Subject
correspondence 76
Philadelphia, United States 35
photographic prints 32
New York City, United States 31
Hollywood, United States 30