Duchamp, Alexina, 1906-1995
Person
Found in 633 Collections and/or Records:
Duchamp, Alexina, 1990-1991
File — Box: 232, Folder: 15
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1990-1991
Duchamp, Alexina, 1993
File — Box: 232, Folder: 17
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1993
Duchamp, Alexina. Incl. AdH meeting notes, 1981-1984
File — Box: 232, Folder: 11
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1981-1984
Duchamp, Alexina. Incl. AdH meeting notes, 1992
File — Box: 232, Folder: 16
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1992
Duchamp, Alexina. Incl. copy print of 1942 portrait of Marcel Duchamp by Arnold Newman and AdH meeting notes, 1994-November 1995
File — Box: 232, Folder: 18
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1994-November 1995
Duchamp, Alexina. Inventories of loans to PMA and of possible gifts, 1972-1984
File — Box: 233, Folder: 1
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1972-1984
Duchamp, Alexina. Memos re loans to PMA and possible gifts, 1984-1994
File — Box: 233, Folder: 2
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1984-1994
Duchamp, Alexina. Photocopies of photos of Mme. Duchamp and others. [Given by Marjorie Hubachek Watkins?], undated
File — Box: 233, Folder: 4
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
undated
Duchamp, Alexina. Posthumous writings, December 1995-1996
File — Box: 233, Folder: 3
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
December 1995-1996
Duchamp family in Blainville, France, circa 1899
Object — Box: 17, Folder: 1
Identifier: MDE_B017_F001_009
Scope and Contents
Duchamp family in Blainville, France. Copy print received from the Museum of Modern Art. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum of Art.
Dates:
circa 1899
Additional filters:
- Type
- Archival Object 631
- Collection 2
- Subject
- correspondence 306
- Philadelphia, United States 220
- photographic prints 133
- gelatin silver prints 90
- New York City, United States 84
- Toronto, Canada 31
- Paris, France 29
- memorandums 22
- Cadaqués, Spain 21
- clippings (information artifacts) 19
- Villiers-sous-Grez, France 15
- notes 14
- Tokyo, Japan 13
- Barcelona, Spain 10
- Karuizawa, Japan 10
- Milan, Italy 10
- lists (document genres) 7
- Chicago, United States 6
- Hollywood, United States 6
- Neuilly-sur-Seine, France 6
- Venice, Italy 6
- writings (documents) 6
- Los Angeles, United States 5
- telegrams 5
- interviews 4
- museum records 4
- postcards 4
- Bridgewater, United States 3
- Cambridge, United States 3
- Figueras, Spain 3
- London, England 3
- Nice, France 3
- Palm Beach, United States 3
- Washington D.C., United States 3
- inventories 3
- Amsterdam, Netherlands 2
- Connecticut, United States 2
- Dearborn, United States 2
- Le Ver á Val, France 2
- Long Island City, United States 2
- Ojai, United States 2
- Topeka, United States 2
- certificates 2
- Blainville-Crevon, France 1
- Boston, United States 1
- Bussigny, Switzerland 1
- Chamonix-Mont-Blanc, France 1
- Christmas cards 1
- Colorado Springs, United States 1
- France 1
- Greenwich, United States 1
- Henley-on-Thames, England 1
- Houston, United States 1
- King of Prussia, United States 1
- Las Vegas, United States 1
- Locust Valley, United States 1
- Mexico City, Mexico 1
- Montvilliers, France 1
- Munich, Germany 1
- Pacific Palisades, United States 1
- Peterborough, United States 1
- Pittsburgh, United States 1
- Puteaux, France 1
- Rome, Italy 1
- San Francisco, United States 1
- Sanary-sur-Mer, France 1
- Seattle, United States 1
- Stuttgart, Germany 1
- Switzerland 1
- Tallahassee, United States 1
- Tripoli, Libya 1
- Utica, United States 1
- Williamstown, United States 1
- diagrams 1
- envelopes 1
- exhibition announcements 1
- exhibition catalogues 1
- itineraries 1
- negatives (photographs) 1
- offset lithographs 1
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