Duchamp, Alexina, 1906-1995
Found in 306 Collections and/or Records:
Correspondence from Anne d'Harnoncourt to Alexina Duchamp, 1983 November 29
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Alexina Duchamp.
Correspondence from Anne d'Harnoncourt to Allan Miller, 1987 April 28
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Allan Miller, The Music Project for Television, Inc.
Correspondence from Anne d'Harnoncourt to Edith Balas, 1972 December 21
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Edith Balas.
Correspondence from Anne d'Harnoncourt to Edith Balas, 1973 February 20
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to Edith Balas.
Correspondence from Anne d'Harnoncourt to Enrico Donati, 1987 July 7
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Enrico Donati.
Correspondence from Anne d'Harnoncourt to Evan H. Turner, 1970 February 10
Correspondence from Anne d'Harnoncourt, Art Institute of Chicago, to Evan H. Turner, Director of the Philadelphia Museum of Art.
Correspondence from Anne d'Harnoncourt to Evan H. Turner, 1971 June 2
Correspondence from Anne d'Harnoncourt to Evan H. Turner, Director of the Philadelphia Museum of Art.
Correspondence from Anne d'Harnoncourt to Felix Kälin, 1979 July 18
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Felix Kälin.
Correspondence from Anne d'Harnoncourt to Frank Kolodny, 1987 July 3
Correspondence from Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art, to Frank Kolodny.
Correspondence from Anne d'Harnoncourt to George Heard Hamilton, 1973 September 27
Correspondence from Anne d'Harnoncourt, Curator of 20th Century Art at the Philadelphia Museum of Art, to George Heard Hamilton, Director of the Sterling and Francine Clark Art Institute. Includes letter to John Hightower.
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