Duchamp, Alexina, 1906-1995
Person
Found in 631 Collections and/or Records:
Duchamp, Alexina, 1993
File — Box: 232, Folder: 17
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1993
Duchamp, Alexina. Incl. AdH meeting notes, 1981-1984
File — Box: 232, Folder: 11
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1981-1984
Duchamp, Alexina. Incl. AdH meeting notes, 1992
File — Box: 232, Folder: 16
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1992
Duchamp, Alexina. Incl. copy print of 1942 portrait of Marcel Duchamp by Arnold Newman and AdH meeting notes, 1994-November 1995
File — Box: 232, Folder: 18
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1994-November 1995
Duchamp, Alexina. Inventories of loans to PMA and of possible gifts, 1972-1984
File — Box: 233, Folder: 1
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1972-1984
Duchamp, Alexina. Memos re loans to PMA and possible gifts, 1984-1994
File — Box: 233, Folder: 2
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1984-1994
Duchamp, Alexina. Photocopies of photos of Mme. Duchamp and others. [Given by Marjorie Hubachek Watkins?], undated
File — Box: 233, Folder: 4
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
undated
Duchamp, Alexina. Posthumous writings, December 1995-1996
File — Box: 233, Folder: 3
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
December 1995-1996
Duchamp family in Blainville, France, circa 1899
Object — Box: 17, Folder: 1
Identifier: MDE_B017_F001_009
Scope and Contents
Duchamp family in Blainville, France. Copy print received from the Museum of Modern Art. Another version is in the Alexina and Marcel Duchamp Papers at the Philadelphia Museum of Art.
Dates:
circa 1899
Duchamp loans belonging to Mrs. Duchamp going to Centre Beaubourg, circa 1976-1977
Object — Box: 22, Folder: 12
Identifier: MDE_B022_F013_009
Scope and Contents
Duchamp loans belonging to Mrs. Duchamp going to Centre Beaubourg.
Dates:
circa 1976-1977
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