Sawelson-Gorse, Naomi
Person
Found in 31 Collections and/or Records:
Sawelson-Gorse, Naomi, 1988-1989
File — Box: 239, Folder: 2
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1988-1989
Sawelson-Gorse, Naomi, 1990
File — Box: 239, Folder: 4
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1990
Sawelson-Gorse, Naomi, 1993-1995
File — Box: 239, Folder: 6
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1993-1995
Sawelson-Gorse, Naomi. Arensberg biographical chronology and related correspondence, 1986-1987
File — Box: 238, Folder: 12
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1986-1987
Sawelson-Gorse, Naomi. Incl. "On the hot seat: Mike Wallace interviews Marcel Duchamp" draft Ms, 1997-1998
File — Box: 239, Folder: 7
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1997-1998
Sawelson-Gorse, Naomi. Incl. registers of Duchamp documentation at PMA, 1987
File — Box: 238, Folder: 13
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
1987
Sawelson-Gorse, Naomi. Index and register of Arensberg Archives, Francis Bacon Library, August 1989
File — Box: 239, Folder: 3
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
August 1989
Sawelson-Gorse, Naomi. Inventory and disposition recommendation of Arensberg Archives, PMA, May 1990
File — Box: 239, Folder: 5
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
May 1990
Sawelson-Gorse, Naomi. Preliminary index and register of Arensberg Archives, PMA. Incl. related correspondence, September 1987
File — Box: 239, Folder: 1
Scope and Contents
From the Sub-Series:
By the time of her appointment as director, Anne d'Harnoncourt was well-established as one of the foremost Duchampian scholars. In the dozen years since her 1969 participation in PMA's acquisition and installation of his mixed media assemblage, "Étant donnés," what becomes evident in these papers is the development of d'Harnoncourt's very close relationship with Duchamp's widow, Alexina, better known as Teeny, and with Jacqueline Matisse Monnier, Teeny's daughter from her first marriage to...
Dates:
September 1987
The Contemporary. "Generating Lines and Engendering Figures", 1995
Object — Box: 7, Folder: 49
Identifier: MDR_B007_F049_002
Scope and Contents
The Contemporary. "Generating Lines and Engendering Figures" [copy].
Dates:
1995
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