Institute of Contemporary Art (Boston, Mass.)

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Correspondence from James S. Plaut, Duncan Phillips, and Grace L. McCann Morley, Organizing Committee for the Georges Rouault Retrospective Loan Exhibition, to Walter Arensberg.

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Correspondence from James S. Plaut, Director of the Institute of Modern Art, to Walter Arensberg.

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Correspondence from Nathaniel Saltonstall, President of the Institute of Modern Art, to Walter Arensberg.

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Correspondence from Walter Arensberg to James S. Plaut, Director of the Institute of Modern Art.

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Correspondence from Walter Arensberg to the Secretary of the Institute of Modern Art.

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

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Marcel Duchamp, Alexina Duchamp, Paul Mattisse and unidentified elderly woman looking at a painting in "Art Turned On" exhibition, Institute of Contemporary Art. Boston, Massachusetts. Photo by Bill Wasserman.

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"Modern Art Loses Its Face in Boston: Trustees Alter Name of Institute in a Move Against Cultural 'Double Talk, Chicanery'." Clipping from the New York Times. Enclosed with correspondence from Kenneth MacGowan to Walter Arensberg dated circa 1948 February 17.