William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts
Organization
Found in 7 Collections and/or Records:
Correspondence from Louise Lebrecht to Walter and Louise Arensberg, 1943 August 30
Object — Box: 20, Folder: 25
Identifier: WLA_B020_F025_001
Scope and Contents
Correspondence from Louise Lebrecht, Secretary to the Director at William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts, to Walter and Louise Arensberg.
Dates:
1943 August 30
Correspondence from Louise Lebrecht to Walter Arensberg, 1943 October 4
Object — Box: 20, Folder: 25
Identifier: WLA_B020_F025_003
Scope and Contents
Correspondence from Louise Lebrecht, Secretary to the Director at William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts, to Walter Arensberg.
Dates:
1943 October 4
Correspondence from Paul Gardner to Walter Arensberg, 1947 August 3
Object — Box: 20, Folder: 25
Identifier: WLA_B020_F025_004
Scope and Contents
Correspondence from Paul Garnder, Director of the William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts, to Walter Arensberg.
Dates:
1947 August 3
Correspondence from Walter Arensberg to Louise Lebrecht, 1943 October 1
Object — Box: 20, Folder: 25
Identifier: WLA_B020_F025_002
Scope and Contents
Correspondence from Walter Arensberg to Louise Lebrecht, Secretary to the Director at William Rockhill Nelson Gallery of Art and Atkins Museum of Fine Arts.
Dates:
1943 October 1
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1953-1954
File — Box: 102, Folder: 16
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949-1950
File — Box: 77, Folder: 9
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1949-1950
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1951-1952
File — Box: 90, Folder: 8
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
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