Walters Art Museum (Baltimore, Md.)
Organization
Found in 8 Collections and/or Records:
Correspondence from Frederick Mortimer Clapp to Walter and Louise Arensberg, 1949 July 26
Object — Box: 5, Folder: 9
Identifier: WLA_B005_F009_001
Scope and Contents
Correspondence from Frederick Mortimer Clapp to Walter and Louise Arensberg.
Dates:
1949 July 26
Correspondence from Germain Seligmann to Walter Arensberg, 1941 April 16
Object — Box: 10, Folder: 11
Identifier: WLA_B010_F011_005
Scope and Contents
Correspondence from Germain Seligmann, Jacques Seligmann & Co., Inc., to Walter Arensberg.
Dates:
1941 April 16
Walters Art Gallery (Baltimore, Md.), 1953-1954
File — Box: 102, Folder: 12
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
Walters Art Gallery (Baltimore, Md.), 1947-1948
File — Box: 64, Folder: 4
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1947-1948
Walters Art Gallery (Baltimore, Md.), 1949-1950
File — Box: 77, Folder: 4
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1949-1950
Walters Art Gallery (Baltimore, Md.), 1951
File — Box: 90, Folder: 3
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951
Walters Art Gallery (Baltimore, Md.), 1983-1989
File — Box: 71, Folder: 17
Scope and Contents
From the Sub-Series:
Like the earlier general correspondence processed under the previous subseries, this correspondence documents the interaction of Johnson Collection staff with individuals from institutions based locally and around the globe. City officials, scholars, publishers, collectors and museum colleagues are among the correspondents. Not surprisingly, each Johnson staff member communicated regularly with PMA staff. During processing, such memoranda were collocated and filed in chronological order in...
Dates:
1983-1989
Walters Art Gallery (Baltimore, Md.), 1933-1934, 1948-1952, 1961-1969
File — Box: 6, Folder: 9
Scope and Contents
From the Sub-Series:
This sub-subseries contains routine correspondence with institutions and individuals. Most often the subject of this correspondence is requests for information about Johnson objects, requests for photographic reproductions of objects and permissions to reproduce these images, and requests for publications about the Johnson collection.
The last group of material is correspondence addressed to Henri Marceau after his death on September 15, 1969, handled by Barbara Sweeny.
Dates:
1933-1934, 1948-1952, 1961-1969