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Minneapolis Institute of Arts

 Organization

Found in 11 Collections and/or Records:

Art Activities in the Twin-City Area, undated

 Object — Box: 37, Folder: 5
Identifier: WLA_B037_F005_004

Correspondence from Elizabeth G. Taylor to Walter Arenbserg, undated

 Object — Box: 18, Folder: 37
Identifier: WLA_B018_F037_001
Scope and Contents

Correspondence from Elizabeth G. Taylor to Walter Arenbserg. Includes clipping titled "Masterpieces draw 108,085; City Tops Tour."

Dates: undated

Correspondence from Joyce Critter to Miss Cooperman, 1949 July 29

 Object — Box: 12, Folder: 53
Identifier: WLA_B012_F053_003
Scope and Contents

Correspondence from Joyce Critter, Minneapolis Instititute of Arts, to Miss Cooperman, Secretary to Walter Arensberg.

Dates: 1949 July 29

Correspondence from Joyce Critter to Walter and Louise Arensberg, 1949 July 15

 Object — Box: 12, Folder: 53
Identifier: WLA_B012_F053_001
Scope and Contents

Correspondence from Joyce Critter, Minneapolis Institute of Arts, to Walter and Louise Arensberg.

Dates: 1949 July 15

Correspondence from Richard S. Davis to Walter and Louise Arensberg, 1945 November 6

 Object — Box: 5, Folder: 57
Identifier: WLA_B005_F057_001
Scope and Contents

Correspondence from Richard S. Davis, Senior Curator at the Minneapolis Institute of Arts, to Walter and Louise Arensberg.

Dates: 1945 November 6

Correspondence from the Secretary to Walter Arensberg to Joyce Fritter, 1949 July 18

 Object — Box: 12, Folder: 53
Identifier: WLA_B012_F053_002
Scope and Contents

Correspondence from the Secretary to Walter Arensberg to Joyce Fritter, Minneapolis Institute of Arts.

Dates: 1949 July 18

Minneapolis Institute of Arts, 1931-1932

 File — Box: 22, Folder: 4
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1931-1932

Minneapolis Institute of Arts, 1951-1952

 File — Box: 85, Folder: 10
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Minneapolis Institute of Arts, 1916-1935

 File — Box: 10, Folder: 9
Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Dates: 1916-1935

Minneapolis Institute of Arts public services brochure, 1947 October 4

 Object — Box: 38, Folder: 85
Identifier: WLA_B038_F085_001
Scope and Contents

Minneapolis Institute of Arts public services brochure. Supplement to the Bulletin of the Minneapolis Institute of Arts, Volume XXXVI, No. 24.

Dates: 1947 October 4

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