Minneapolis Institute of Arts

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Art Activities in the Twin-City Area.

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Correspondence from Elizabeth G. Taylor to Walter Arenbserg. Includes clipping titled "Masterpieces draw 108,085; City Tops Tour."

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Correspondence from Joyce Critter, Minneapolis Instititute of Arts, to Miss Cooperman, Secretary to Walter Arensberg.

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Correspondence from Joyce Critter, Minneapolis Institute of Arts, to Walter and Louise Arensberg.

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Correspondence from Richard S. Davis, Senior Curator at the Minneapolis Institute of Arts, to Walter and Louise Arensberg.

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Correspondence from the Secretary to Walter Arensberg to Joyce Fritter, Minneapolis Institute of Arts.

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents

Minneapolis Institute of Arts public services brochure. Supplement to the Bulletin of the Minneapolis Institute of Arts, Volume XXXVI, No. 24.