Cincinnati Art Museum
Organization
Found in 12 Collections and/or Records:
Cincinnati Art Museum, 1931-1932
File — Box: 19, Folder: 9
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1931-1932
Cincinnati Art Museum, 1933-1937
File — Box: 27, Folder: 20
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1933-1937
Cincinnati Art Museum. "An American viewpoint: realism in twentieth century American painting." (Held at two locations, 12 October-29 December 1957), 1957
File — Box: 14, Folder: 24
Scope and Contents
From the Sub-Series:
This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates:
1957
Correspondence from Carleton V. Earle to Walter and Louise Arensberg, 1944 February 25
Object — Box: 5, Folder: 5
Identifier: WLA_B005_F005_004
Scope and Contents
Correspondence from Carleton V. Earle, Assistant to the Director at the Cincinnati Art Museum, to Walter and Louise Arensberg.
Dates:
1944 February 25
Correspondence from Carleton V. Earle to Walter Arensberg, 1944 February 11
Object — Box: 5, Folder: 5
Identifier: WLA_B005_F005_001
Scope and Contents
Correspondence from Carleton V. Earle, Assistant to the Director at the Cincinnati Art Museum, to Walter Arensberg.
Dates:
1944 February 11
Correspondence from Carleton V. Earle to Walter Arensberg, 1944 February 25
Object — Box: 5, Folder: 5
Identifier: WLA_B005_F005_003
Scope and Contents
Correspondence from Carleton V. Earle, Assistant to the Director at the Cincinnati Art Museum, to Walter Arensberg.
Dates:
1944 February 25
Correspondence from Theodore Schempp to Walter Arensberg, 1942 March 7
Object — Box: 17, Folder: 7
Identifier: WLA_B017_F007_001
Scope and Contents
Correspondence from Theodore Schempp to Walter Arensberg.
Dates:
1942 March 7
Correspondence from Walter Arensberg to Carleton V. Earle, 1944 February 23
Object — Box: 5, Folder: 5
Identifier: WLA_B005_F005_002
Scope and Contents
Correspondence from Walter Arensberg to Carleton V. Earle, Assistant to the Director at the Cincinnati Art Museum.
Dates:
1944 February 23
Note about response to Thedore Schempp correspondence, 1942 April 6
Object — Box: 17, Folder: 7
Identifier: WLA_B017_F007_002
Scope and Contents
Note about response to Thedore Schempp correspondence.
Dates:
1942 April 6
Telegram from Carleton V. Earle to Walter Arensberg, 1944 March 8
Object — Box: 5, Folder: 5
Identifier: WLA_B005_F005_005
Scope and Contents
Telegram from Carleton V. Earle, Assistant to the Director at the Cincinnati Art Museum, to Walter Arensberg.
Dates:
1944 March 8