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Detroit Institute of Arts

 Organization

Found in 29 Collections and/or Records:

Detroit Institute of Arts, 1949-1950

 File — Box: 68, Folder: 11
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949-1950

Detroit Institute of Arts, 1951-1952

 File — Box: 81, Folder: 1
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Detroit Institute of Arts, 1929-1930

 File — Box: 11, Folder: 17
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1929-1930

Detroit Institute of Arts, 1945-1946

 File — Box: 51, Folder: 3
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1945-1946

Detroit Institute of Arts, 1947-1948

 File — Box: 56, Folder: 24
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1947-1948

Note written by Wilhelm R. Valentiner about Italian painting attribution, 1941 April 2

 Object — Box: 5, Folder: 76
Identifier: WLA_B005_F076_005
Scope and Contents

Note written by Wilhelm R. Valentiner, Director of the Detroit Institute of Arts, about Italian painting attribution.

Dates: 1941 April 2

Additional filters:

Subject
Detroit, United States 15
correspondence 14
lectures 5
Hollywood, United States 4
notes 1