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Detroit Institute of Arts

 Organization

Found in 29 Collections and/or Records:

Correspondence from Wilhelm R. Valentiner to Walter and Louise Arensberg, 1941 April 10

 Object — Box: 5, Folder: 76
Identifier: WLA_B005_F076_006
Scope and Contents

Correspondence from Wilhelm R. Valentiner, Director of the Detroit Institute of Arts, to Walter and Louise Arensberg.

Dates: 1941 April 10

Correspondence from Wilhelm R. Valentiner to Walter Arensberg, 1935 April 29

 Object — Box: 5, Folder: 76
Identifier: WLA_B005_F076_002
Scope and Contents

Correspondence from Wilhelm R. Valentiner, Director of the Detroit Institute of Arts, to Walter Arensberg.

Dates: 1935 April 29

Correspondence from Wilhelm R. Valentiner to Walter Arensberg, 1943 September 29

 Object — Box: 5, Folder: 76
Identifier: WLA_B005_F076_007
Scope and Contents

Correspondence from Wilhelm R. Valentiner, Director of the Detroit Institute of Arts, to Walter Arensberg.

Dates: 1943 September 29

Correspondence from Wilhelm R. Valentiner to Walter Arensberg, 1945 May 24

 Object — Box: 5, Folder: 76
Identifier: WLA_B005_F076_008
Scope and Contents

Correspondence from Wilhelm R. Valentiner, Director of the Detroit Institute of Arts, to Walter Arensberg.

Dates: 1945 May 24

Detroit Institue of Art. Transcript of Marcel Duchamp's lecture, 1961

 Object — Box: 2, Folder: 9
Identifier: MDP_B002_F009_008
Scope and Contents

Detroit Institue of Art. Transcript of Marcel Duchamp's lecture. Typescript, corrected. 1 of 2 copies.

Dates: 1961

Detroit Institue of Art. Transcript of Marcel Duchamp's lecture, 1961

 Object — Box: 2, Folder: 9
Identifier: MDP_B002_F009_009
Scope and Contents

Detroit Institue of Art. Transcript of Marcel Duchamp's lecture. Typescript, corrected. 2 of 2 copies.

Dates: 1961

Detroit Institute of Arts, 1931-1932

 File — Box: 19, Folder: 16
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1931-1932

Detroit Institute of Arts, 1927-1928

 File — Box: 4, Folder: 19
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1927-1928

Detroit Institute of Arts, 1917-1935

 File — Box: 9, Folder: 16
Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Dates: 1917-1935

Detroit Institute of Arts, 1953-1954

 File — Box: 93, Folder: 12
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1953-1954

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Detroit, United States 15
correspondence 14
lectures 5
Hollywood, United States 4
notes 1