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Virginia Museum of Fine Arts

 Organization

Found in 7 Collections and/or Records:

Correspondence from Henri Marceau to Lee Malone, 1956 October 18

 Object — Box: 13, Folder: 16
Identifier: MAR_B013_F016_017
Scope and Contents

Correspondence from Henri Marceau, Director of the Philadelphia Museum of Art, to Lee Malone, Director of the Museum of Fine Arts of Houston.

Dates: 1956 October 18

Correspondence from Thomas C. Colt, Jr. to Walter Arensberg, 1949 January 21

 Object — Box: 15, Folder: 27
Identifier: WLA_B015_F027_009
Scope and Contents

Correspondence from Thomas C. Colt, Jr., Director of the Portland Art Museum, to Walter Arensberg.

Dates: 1949 January 21

Virginia Museum of Fine Arts, 1953-1954

 File — Box: 102, Folder: 5
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1953-1954

Virginia Museum of Fine Arts, 1949-1950

 File — Box: 76, Folder: 17
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949-1950

Virginia Museum of Fine Arts, 1951-1952

 File — Box: 89, Folder: 14
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Virginia Museum of Fine Arts, 1935-1937

 File — Box: 38, Folder: 3
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1935-1937

Virginia Museum of Fine Arts, 1948-1955

 File — Box: 43, Folder: 3
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1948-1955

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correspondence 2
Philadelphia, United States 1
Portland, United States 1