Fogg Art Museum
Organization
Found in 70 Collections and/or Records:
Correspondence from Walter Arensberg to John Coolidge, 1948 November 17
Object — Box: 7, Folder: 43
Identifier: WLA_B007_F043_026
Scope and Contents
Correspondence from Walter Arensberg to John Coolidge, Director of the Fogg Art Museum.
Dates:
1948 November 17
Correspondence from Walter Arensberg to John Coolidge, 1948 December 14
Object — Box: 7, Folder: 43
Identifier: WLA_B007_F043_028
Scope and Contents
Correspondence from Walter Arensberg to John Coolidge, Director of the Fogg Art Museum.
Dates:
1948 December 14
Correspondence from Walter Arensberg to Paul Sachs, 1939 December 5
Object — Box: 7, Folder: 43
Identifier: WLA_B007_F043_002
Scope and Contents
Correspondence from Walter Arensberg to Paul Sachs, Fogg Art Museum.
Dates:
1939 December 5
Correspondence from Walter Arensberg to Paul Sachs, 1939 December 21
Object — Box: 7, Folder: 43
Identifier: WLA_B007_F043_004
Scope and Contents
Correspondence from Walter Arensberg to Paul Sachs, Fogg Art Museum.
Dates:
1939 December 21
Correspondence from Walter Arensberg to Paul Sachs, 1940 January 30
Object — Box: 7, Folder: 43
Identifier: WLA_B007_F043_008
Scope and Contents
Correspondence from Walter Arensberg to Paul Sachs, Fogg Art Museum.
Dates:
1940 January 30
Correspondence from Walter Arensberg to Paul Sachs, 1945 August 1
Object — Box: 7, Folder: 43
Identifier: WLA_B007_F043_018
Scope and Contents
Correspondence from Walter Arensberg to Paul Sachs, Fogg Art Museum.
Dates:
1945 August 1
Correspondence from Walter Arensberg to Ralph Barton Perry, 1949 September 29
Object — Box: 14, Folder: 52
Identifier: WLA_B014_F052_006
Scope and Contents
Correspondence from Walter Arensberg to Ralph Barton Perry, Professor of Philosophy at Harvard University
Dates:
1949 September 29
Fogg Art Museum, 1927-1928
File — Box: 5, Folder: 11
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1927-1928
Fogg Art Museum, 1929
File — Box: 12, Folder: 7
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1929
Fogg Art Museum, 1930
File — Box: 12, Folder: 8
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1930
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- Cambridge, United States 42
- correspondence 38
- Hollywood, United States 14
- photographic prints 7
- telegrams 7
- museum records 2
- New York City, United States 1
- clippings (information artifacts) 1
- notes 1
- shipping records 1 ∧ less
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