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Baltimore Museum of Art

 Organization

Found in 13 Collections and/or Records:

Audio of Marcel Duchamp delivering his lecture "A propos of myself", 1963-1987

 Object — Box: 7, Folder: 6
Identifier: MDR_B007_F006_001
Scope and Contents

Audio of Marcel Duchamp delivering his lecture "A propos of myself." Includes notes from Charles F. Stuckey.

Dates: 1963-1987

Baltimore Museum of Art, 1925-1926

 File — Box: 1, Folder: 7
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1925-1926

Baltimore Museum of Art, 1929-1930

 File — Box: 10, Folder: 16
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1929-1930

Baltimore Museum of Art, 1933-1937

 File — Box: 26, Folder: 6
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1933-1937

Baltimore Museum of Art, 1953-1954

 File — Box: 91, Folder: 20
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1953-1954

Baltimore Museum of Art, 1951-1952

 File — Box: 79, Folder: 9
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Baltimore Museum of Art, 1923

 File — Box: 9, Folder: 3
Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Dates: 1923

Baltimore Museum of Art, 1943

 File — Box: 30, Folder: 8
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1943

Baltimore Museum of Art. "Master drawings and watercolors of the nineteenth and twentieth centuries." (Held at various locations, 1979), 1979

 File — Box: 2000
Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates: 1979

Baltimore Museum of Art. "Thomas Eakins, 1844-1916: A retrospective exhibition of his paintings." (1 December 1936-1 January 1937). Two copies, incl. annotated volume, 1936

 File — Box: 14, Folder: 9
Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...
Dates: 1936

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Subject
Baltimore, United States 4
lectures 2
clippings (information artifacts) 1
correspondence 1
notes 1
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