Carnegie Institute
Organization
Found in 10 Collections and/or Records:
Carnegie Institute, 1927-1928
File — Box: 4, Folder: 11
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1927-1928
Carnegie Institute, 1916-1919
File — Box: 9, Folder: 8
Scope and Contents
From the Sub-Series:
Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.
Dates:
1916-1919
Carnegie Institute, 1920-1938
File — Box: 9, Folder: 9
Scope and Contents
From the Sub-Series:
Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.
Dates:
1920-1938
Carnegie Institute, 1951-1952
File — Box: 80, Folder: 8
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1951-1952
Carnegie Institute, 1953-1954
File — Box: 92, Folder: 16
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1953-1954
Carnegie Institute, 1942
File — Box: 11, Folder: 3
Scope and Contents
From the Series:
While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates:
1942
Carnegie Institute, January-August 1940
File — Box: 43, Folder: 12
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
January-August 1940
Carnegie Institute, September 1940-August 1941
File — Box: 43, Folder: 13
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
September 1940-August 1941
Carnegie Institute, 1947
File — Box: 56, Folder: 7
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1947
Carnegie Magazine. "The International Jury of Award", 1958 November
Object — Box: 14, Folder: 12
Identifier: MDP_B014_F012_001
Scope and Contents
Carnegie Magazine, Volume XXXII, Number 9. "The International Jury of Award" by Gordon Bailey Washburn regarding Duchamp's participation as jury member for the Carnegie International, page 301-306, 321.
Dates:
1958 November
Found in:
Philadelphia Museum of Art, Library and Archives
/
MDP, Alexina and Marcel Duchamp Papers
/
Library material
/
Periodicals
/
Carnegie Magazine 32.9. Includes: Gordon Bailey Washburn article "The International Jury of Award," re: Duchamp's participation as jury member for the Carnegie International