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Frick Art Reference Library

 Organization

Found in 9 Collections and/or Records:

Frick Art Reference Library, 1928

 File — Box: 5, Folder: 12
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1928

Frick Art Reference Library, 1935, 1939, 1944

 File — Box: 1, Folder: 22
Scope and Contents From the Series: This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates: 1935, 1939, 1944

Frick Art Reference Library, 1949-1950

 File — Box: 69, Folder: 11
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949-1950

Frick Art Reference Library, 1951-1952

 File — Box: 82, Folder: 1
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Frick Art Reference Library, 1921-1922, 1938-1942, undated

 File — Box: 14, Folder: 6
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1921-1922, 1938-1942, undated

Frick Art Reference Library, 1943-1950

 File — Box: 34, Folder: 7
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1943-1950

Frick Art Reference Library, 1931-1951

 File — Box: 2, Folder: 16
Scope and Contents From the Sub-Series:

This sub-subseries contains routine correspondence with institutions and individuals. Most often the subject of this correspondence is requests for information about Johnson objects, requests for photographic reproductions of objects and permissions to reproduce these images, and requests for publications about the Johnson collection.

The last group of material is correspondence addressed to Henri Marceau after his death on September 15, 1969, handled by Barbara Sweeny.

Dates: 1931-1951

Frick Art Reference Library, 1919

 File — Box: 1, Folder: 27
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1919

Frick Art Reference Library, 1947-1948

 File — Box: 57, Folder: 15
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1947-1948