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Art Institute of Chicago

 Organization

Found in 490 Collections and/or Records:

Arensberg modern collection comes to Art Institute Oct. 20, 1949 October 9

 Object — Box 41, Folder: 1
Identifier: WLA_B041_F001_004
Scope and Contents

"Arensberg modern collection comes to Art Institute Oct. 20" by Frank Holland. Clipping from the Chicago Sun-Times.

Dates: 1949 October 9

Art digest. "Arensberg Collection - Born in the Armory, Bows in Chicago", 1949 November 1

 Object — Box 14, Folder: 1
Identifier: MDP_B014_F001_001
Scope and Contents

Art digest, Vol. 24, No. 3. "Arensberg Collection - Born in the Armory, Bows in Chicago" by C. J. Bulliet, page 7-8.

Dates: 1949 November 1

Art in October, 1949 October 22

 Object — Box 41, Folder: 1
Identifier: WLA_B041_F001_013

Art Institute Modern Show to End Dec. 18, 1949 October 30

 Object — Box 41, Folder: 1
Identifier: WLA_B041_F001_017
Scope and Contents

"Art Institute Modern Show to End Dec. 18" by Edward Barry. Clipping from the Chicago Sunday Tribune.

Dates: 1949 October 30

Art Institute of Chicago, 1913-1937

 File — Box 9, Folder: 2
Scope and Contents From the Sub-Series:

Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.

Dates: 1913-1937

Art Institute of Chicago, 1941-1942

 File — Box 7, Folder: 11
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1941-1942

Art Institute of Chicago, 1945-1955

 File — Box 29, Folder: 11
Scope and Contents From the Series: While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates: 1945-1955

Art Institute of Chicago, 1949-1950

 File — Box 65, Folder: 11
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1949-1950

Art Institute of Chicago, 1951-1952

 File — Box 78, Folder: 9
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1951-1952

Art Institute of Chicago, 1945-1946

 File — Box 50, Folder: 15
Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates: 1945-1946