Art Institute of Chicago
Organization
Found in 490 Collections and/or Records:
Arensberg modern collection comes to Art Institute Oct. 20, 1949 October 9
Object — Box: 41, Folder: 1
Identifier: WLA_B041_F001_004
Scope and Contents
"Arensberg modern collection comes to Art Institute Oct. 20" by Frank Holland. Clipping from the Chicago Sun-Times.
Dates:
1949 October 9
Art digest. "Arensberg Collection - Born in the Armory, Bows in Chicago", 1949 November 1
Object — Box: 14, Folder: 1
Identifier: MDP_B014_F001_001
Scope and Contents
Art digest, Vol. 24, No. 3. "Arensberg Collection - Born in the Armory, Bows in Chicago" by C. J. Bulliet, page 7-8.
Dates:
1949 November 1
Art in October, 1949 October 22
Object — Box: 41, Folder: 1
Identifier: WLA_B041_F001_013
Scope and Contents
"Art in October." Clipping from Where Magazine.
Dates:
1949 October 22
Art Institute Modern Show to End Dec. 18, 1949 October 30
Object — Box: 41, Folder: 1
Identifier: WLA_B041_F001_017
Scope and Contents
"Art Institute Modern Show to End Dec. 18" by Edward Barry. Clipping from the Chicago Sunday Tribune.
Dates:
1949 October 30
Art Institute of Chicago, 1933
File — Box: 1, Folder: 4
Scope and Contents
From the Series:
This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates:
1933
Art Institute of Chicago, 1913-1937
File — Box: 9, Folder: 2
Scope and Contents
From the Sub-Series:
Concerning sales and possible sales of objects to museums. Includes much correspondence with the Metropolitan Museum in New York, the Philadelphia Museum of Art, and the Washington Cathedral.
Dates:
1913-1937
Art Institute of Chicago, 1941-1942
File — Box: 7, Folder: 11
Scope and Contents
From the Series:
While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates:
1941-1942
Art Institute of Chicago, 1945-1955
File — Box: 29, Folder: 11
Scope and Contents
From the Series:
While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates:
1945-1955
Art Institute of Chicago, 1912-1916
File — Box: 1, Folder: 12
Scope and Contents
From the Series:
While this series includes Kimball's correspondence with many of the same individuals and institutions represented in the various subject-related series, the bulk of "General correspondence and related material" documents his long-term association with organizations devoted to professional development and scholarship. Kimball's most consistent correspondents include the American Institute of Architects (AIA), the American Association of Museums (AAM), and the Association of Art Museum...
Dates:
1912-1916
Art Institute of Chicago, 1940-1941
File — Box: 42, Folder: 17
Scope and Contents
From the Series:
Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...
Dates:
1940-1941
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