Whitney Museum of American Art

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Series: Comprising the largest portion of the Fiske Kimball Records, this series clearly documents Kimball's extensive contact with the institutions, individuals, and businesses that collectively directed and promoted art and artists, and a public appreciation for both. Kimball cultivated a variety of correspondents, from dealers and donors to museums, educational institutions and professional organizations. Throughout the three decades documented, antiques and art dealers appear to be Kimball's...

Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...

Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...

Scope and Contents From the Sub-Series: Periodical writings about Thomas Eakins's life and work are the major elements of this subseries. In addition to Alan Burroughs's 1924 catalog for the Arts magazine, which Goodrich often referenced in his research of Eakins, there are several writings each by noted Eakins scholars, Gordon Hendricks and William Inness Homer. Another contributing writer to this subseries is a student of Eakins, Charles Bregler, who later compiled a major collection of his teacher's works....

Scope and Contents From the Series: This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...

Scope and Contents From the Sub-Series:

Loan forms and receipts.

Scope and Contents From the Sub-Series: This subseries documents the many exhibitions dedicated to or including works by Thomas Eakins from 1917 to 1986. It includes primarily original, but also some photocopied extracts from, exhibition catalogs, checklists, and other ephemera, such as invitations to openings and previews. A small number of exhibitions featuring works inspired by Thomas Eakins, rather than by him, are also documented, as are a few exhibitions from World Fairs. Of particular note are the catalogs for exhibitions...