National Endowment for the Arts
Organization
Found in 44 Collections and/or Records:
Memorandum from Richard L. Palmer to Kynaston McShine, 1972 October 30
Object — Box: 10, Folder: 8
Identifier: MDE_B010_F008_003
Scope and Contents
Memorandum from Richard L. Palmer, Coordinator of Exhibitions for the Museum of Modern Art, to Kynaston McShine, Curator for the Museum of Modern Art. Includes draft application to the National Endowment for the Arts.
Dates:
1972 October 30
National Endowment for the Arts, 1997-1998
File — Box: 290, Folder: 18
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
1997-1998
National Endowment for the Arts, 1999
File — Box: 290, Folder: 19
Scope and Contents
From the Sub-Series:
Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates:
1999
National Endowment for the Arts, 2004
File — Box: 487, Folder: 11
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2004
National Endowment for the Arts, 2005
File — Box: 487, Folder: 12
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2005
National Endowment for the Arts, 2006
File — Box: 487, Folder: 13
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2006
National Endowment for the Arts, 2007
File — Box: 487, Folder: 14
Scope and Contents
From the Sub-Series:
This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates:
2007
National Endowment for the Arts application for Marcel Duchamp book, 1972 November 27
Object — Box: 10, Folder: 8
Identifier: MDE_B010_F008_006
Scope and Contents
National Endowment for the Arts application for Marcel Duchamp book. Includes memorandum from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Evan H. Turner, Director of the Philadelphia Museum of Art.
Dates:
1972 November 27
National Endowment for the Arts application for Marcel Duchamp book, 1972 November 20
Object — Box: 10, Folder: 8
Identifier: MDE_B010_F008_007
Scope and Contents
National Endowment for the Arts application for Marcel Duchamp book.
Dates:
1972 November 20
National Endowment for the Arts. Arts and Artifacts Indemnity Panel. Correspondence, 1977-1978
File — Box: 28, Folder: 7
Scope and Contents
From the Series:
Institutions across the country and abroad sought d'Harnoncourt's advice. While a few of these organizations may have invited d'Harnoncourt in order to capitalize on her reputation, these records make evident that her involvement with most was far more than titular. D'Harnoncourt was an active participant and frequent traveler on their behalf--attending meetings, taking notes, corresponding with colleagues and offering her feedback on an array of proposals. Based on her files, d'Harnoncourt...
Dates:
1977-1978