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National Endowment for the Arts

 Organization

Found in 44 Collections and/or Records:

Memorandum from Richard L. Palmer to Kynaston McShine, 1972 October 30

 Object — Box: 10, Folder: 8
Identifier: MDE_B010_F008_003
Scope and Contents

Memorandum from Richard L. Palmer, Coordinator of Exhibitions for the Museum of Modern Art, to Kynaston McShine, Curator for the Museum of Modern Art. Includes draft application to the National Endowment for the Arts.

Dates: 1972 October 30

National Endowment for the Arts, 1997-1998

 File — Box: 290, Folder: 18
Scope and Contents From the Sub-Series: Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates: 1997-1998

National Endowment for the Arts, 1999

 File — Box: 290, Folder: 19
Scope and Contents From the Sub-Series: Following Robert Scott's retirement as museum President in 1996, d'Harnoncourt was appointed the following year as the museum's Chief Executive Officer in addition to her continued role as its George D. Widener Director. This subseries coincides with d'Harnoncourt's earliest years leading the museum in her dual roles. During this period, with the approach of the new millennium as well as its 125th anniversary, the museum began to plan for its future while building upon its past. There are...
Dates: 1999

National Endowment for the Arts, 2004

 File — Box: 487, Folder: 11
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2004

National Endowment for the Arts, 2005

 File — Box: 487, Folder: 12
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2005

National Endowment for the Arts, 2006

 File — Box: 487, Folder: 13
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2006

National Endowment for the Arts, 2007

 File — Box: 487, Folder: 14
Scope and Contents From the Sub-Series: This subseries currently is closed to researchers. File titles are subject to change when processing is finalized at a later date. Under d'Harnoncourt's direction, the museum continued to envision grander goals that would enhance the visitor's experience and allow the institution to better serve its diverse community. It seems only fitting that this last subseries should document the initiation of the most transforming project for the museum's iconic neo-classical "triumph on...
Dates: 2007

National Endowment for the Arts application for Marcel Duchamp book, 1972 November 27

 Object — Box: 10, Folder: 8
Identifier: MDE_B010_F008_006
Scope and Contents

National Endowment for the Arts application for Marcel Duchamp book. Includes memorandum from Carl Morse, Acting Director of Publications for the Museum of Modern Art, to Evan H. Turner, Director of the Philadelphia Museum of Art.

Dates: 1972 November 27

National Endowment for the Arts application for Marcel Duchamp book, 1972 November 20

 Object — Box: 10, Folder: 8
Identifier: MDE_B010_F008_007
Scope and Contents

National Endowment for the Arts application for Marcel Duchamp book.

Dates: 1972 November 20

National Endowment for the Arts. Arts and Artifacts Indemnity Panel. Correspondence, 1977-1978

 File — Box: 28, Folder: 7
Scope and Contents From the Series: Institutions across the country and abroad sought d'Harnoncourt's advice. While a few of these organizations may have invited d'Harnoncourt in order to capitalize on her reputation, these records make evident that her involvement with most was far more than titular. D'Harnoncourt was an active participant and frequent traveler on their behalf--attending meetings, taking notes, corresponding with colleagues and offering her feedback on an array of proposals. Based on her files, d'Harnoncourt...
Dates: 1977-1978

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New York City, United States 11
correspondence 9
grant proposals 4
Washington D.C., United States 3
memorandums 3