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Hirshhorn Museum and Sculpture Garden

 Organization

Found in 6 Collections and/or Records:

Correspondence from Cynthia Jaffee McCabe to Evan H. Turner, 1973 August 22

 Object — Box: 10, Folder: 17
Identifier: MDE_B011_F017_005
Scope and Contents

Correspondence from Cynthia Jaffee McCabe, Associate Curator of Painting and Sculpture at the Hirshhorn Museum and Sculpture Garden, to Evan H. Turner, Director of the Philadelphia Museum of Art.

Dates: 1973 August 22

Hirshhorn Museum and Sculpture Garden, 1974-1976

 File — Box: 2, Folder: 5
Scope and Contents From the Series: This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates: 1974-1976

Hirshhorn Museum and Sculpture Garden, 1977-1983, undated

 File — Box: 2, Folder: 6
Scope and Contents From the Series: This series contains Goodrich's general correspondence related to his studies of Thomas Eakins. The bulk of the material is correspondence with other scholars of Eakins, including Maria Chamberlin-Hellman, Gordon Hendricks, William Innis Homer, Elizabeth Johns, Margaret McHenry, and Elizabeth Milroy. Files with these individuals document the exchange of ideas and information regarding Eakins and his work, as well as the part Goodrich played in the production of publications and exhibitions...
Dates: 1977-1983, undated

Hirshhorn Museum and Sculpture Garden. Foreword by S. Dillon Ripley..."Inaugural publication" (1974). Photocopied excerpts, undated

 File — Box: 23, Folder: 27
Scope and Contents From the Sub-Series: While many of the titles in this subseries represent works devoted to the life and works of Thomas Eakins, a significant number are the catalogs or handbooks published by museums with holdings that include works by Eakins. In regard to the former, Goodrich acquired several of Gordon Hendrick's studies. From the numerous annotations made to one of his copies of Hendrick's 1974 work, Goodrich considered it a significant resource for his own studies. Another book heavily annotated is that by...
Dates: undated

Hirshhorn Museum and Sculpture Garden. Personal and third party correspondence. Incl. photo and Jos. H. Hirshhorn memorial program, 1974-1986

 File — Box: 26, Folder: 8
Scope and Contents From the Series: Institutions across the country and abroad sought d'Harnoncourt's advice. While a few of these organizations may have invited d'Harnoncourt in order to capitalize on her reputation, these records make evident that her involvement with most was far more than titular. D'Harnoncourt was an active participant and frequent traveler on their behalf--attending meetings, taking notes, corresponding with colleagues and offering her feedback on an array of proposals. Based on her files, d'Harnoncourt...
Dates: 1974-1986

Hirshhorn Museum and Sculpture Garden. The Thomas Eakins collection of the Hirshhorn...: compiled by Phyllis D. Rosenzweig. Autographed volume, 1979

 File — Box: 2000
Scope and Contents From the Sub-Series: While many of the titles in this subseries represent works devoted to the life and works of Thomas Eakins, a significant number are the catalogs or handbooks published by museums with holdings that include works by Eakins. In regard to the former, Goodrich acquired several of Gordon Hendrick's studies. From the numerous annotations made to one of his copies of Hendrick's 1974 work, Goodrich considered it a significant resource for his own studies. Another book heavily annotated is that by...
Dates: 1979

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Washington D.C., United States 1
correspondence 1