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clippings (information artifacts)

 Subject
Subject Source: Art & Architecture Thesaurus

Found in 640 Collections and/or Records:

34th Street Magazine. "Exhibit transcending a showcase, retrospective", circa 1974

 Object — Box 15, Folder: 13
Identifier: MDE_B015_F013_007
Scope and Contents

34th Street Magazine. "Exhibit transcending a showcase, retrospective" by Erika Wallace [copy].

Dates: circa 1974

"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'", undated

 Object — Box 2, Folder: 12
Identifier: MDR_B002_F012_001
Scope and Contents

"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'" by Richard Hamilton [copy].

Dates: undated

Academy Show, Arensberg Collection, Wright Exhibit Enliven Scene, 1951 January 21

 Object — Box 41, Folder: 39
Identifier: WLA_B041_F039_018
Scope and Contents

"Academy Show, Arensberg Collection, Wright Exhibit Enliven Scene" by Gertrude Benson. Clipping from the Philadelphia Inquirer.

Dates: 1951 January 21

Agence France Presse clipping, circa 1976-1977

 Object — Box 22, Folder: 27
Identifier: MDE_B022_F027_016

Alitalia Magazine. "Marcel Duchamp a Palazzo Grassi", 1993 April

 Object — Box 28, Folder: 17
Identifier: MDE_B028_F017_001
Scope and Contents

Alitalia Magazine. "Marcel Duchamp a Palazzo Grassi" [copy].

Dates: 1993 April

Almanac. "Marcel Duchamp: a centennial tribute to the master eccentric of modern art", 1987 March - April

 Object — Box 1, Folder: 31
Identifier: MDR_B001_F031_001
Scope and Contents

Almanac, volume 18, number 2. "Marcel Duchamp: a centennial tribute to the master eccentric of modern art" by Anne d'Harnoncourt.

Dates: 1987 March - April

Ambler Gazette. "Duchamp's Irreverence is Now Legitimate", circa 1974

 Object — Box 15, Folder: 13
Identifier: MDE_B015_F013_006
Scope and Contents

Ambler Gazette. "Duchamp's Irreverence is Now Legitimate" by Russ Shor.

Dates: circa 1974

Analytical Art. "Duchampian Delinquency and the Constitutive Cure", 1971 July

 Object — Box 2, Folder: 46
Identifier: MDR_B002_F046_001
Scope and Contents

Analytical Art, number 1. "Duchampian Delinquency and the Constitutive Cure" by Philip Pilkington [copy].

Dates: 1971 July

Anonyme no longer: The private collection of Katherine Dreier, long a public patron of modern art, makes a lively new show at Yale University, 1953 January

 Object — Box 41, Folder: 9
Identifier: WLA_B041_F009_002
Scope and Contents

"Anonyme no longer: The private collection of Katherine Dreier, long a public patron of modern art, makes a lively new show at Yale University" by George Heard Hamilton. Clipping from Art News, vol. 51, no. 9.

Dates: 1953 January

Anuario del Departamento de Historia y Teoría del Arte. "Duchamp: Maquinación de los ready-mades", 1992

 Object — Box 3, Folder: 2
Identifier: MDR_B003_F002_001
Scope and Contents

Anuario del Departamento de Historia y Teoría del Arte. "Duchamp: Maquinación de los ready-mades" by Juan Antonio Ramírez.

Dates: 1992