clippings (information artifacts)
Found in 80 Collections and/or Records:
Arensberg Art Exhibit Wins Praise, 1949 November 13
"Arensberg Art Exhibit Wins Praise." Clipping from the Los Angeles Times.
Arensberg Art Will Be Put on Exhibit Today: 200 Modern Items Show in Collection, 'Nude Creator Quits Painting and Tells Why, 1949 October 20
"Arensberg Art Will Be Put on Exhibit Today: 200 Modern Items Show in Collection, 'Nude Creator Quits Painting and Tells Why" by Edward Barry. Clipping from the Chicago Daily Tribune.
Arensberg Collection: Modern Art Exhibition in Chicago, 1949 November 12
"Arensberg Collection: Modern Art Exhibition in Chicago" by Charles Fabens Kelley. Clipping from the Christian Science Monitor.
Arensberg Collection: Modern Art Exhibition in Chicago, 1949 November 12
"Arensberg Collection: Modern Art Exhibition in Chicago" by Charles Fabens Kelley. Clipping from the Christian Science Monitor. Enclosed with letter from Ruth Osborn.
Arensberg Gallery at Art Institute: Work of Duchamp, Brancusi Make Collection World Famous, 1949 October 20
"Arensberg Gallery at Art Institute: Work of Duchamp, Brancusi Make Collection World Famous" by C. J. Bulliet. Clipping from the Chicago Daily News.
Arensberg modern collection comes to Art Institute Oct. 20, 1949 October 9
"Arensberg modern collection comes to Art Institute Oct. 20" by Frank Holland. Clipping from the Chicago Sun-Times.
Art digest. "Arensberg Collection - Born in the Armory, Bows in Chicago", 1949 November 1
Art digest, Vol. 24, No. 3. "Arensberg Collection - Born in the Armory, Bows in Chicago" by C. J. Bulliet, page 7-8.
Art in October, 1949 October 22
"Art in October." Clipping from Where Magazine.
Art Institute Modern Show to End Dec. 18, 1949 October 30
"Art Institute Modern Show to End Dec. 18" by Edward Barry. Clipping from the Chicago Sunday Tribune.
Art Institute of Chicago quarterly. "Modern Sculpture - Additions and Plans", 1958 April 1
Art Institute of Chicago quarterly, Volume LII, Number 2. "Modern Sculpture - Additions and Plans" by Katharine Kuh, page 22-23.