Box 87
Container
Contains 27 Results:
Loans. Massachusetts Institute of Technology, 1960
File — Box: 87, Folder: 21
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1960
Loans. Maynard Walker (Gallery : New York, N.Y.), 1963-1967
File — Box: 87, Folder: 22
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1963-1967
Loans. Metropolitan Museum of Art (New York, N.Y.), 1938, 1968-1969, undated
File — Box: 87, Folder: 23
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1938, 1968-1969, undated
Loans. Metropolitan Museum of Art (New York, N.Y.). "Constable's England" exhibition, 1982-1983
File — Box: 87, Folder: 24
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1982-1983
Loans. Metropolitan Museum of Art (New York, N.Y.). "Vincent van Gogh in Arles" exhibition, 1983-1984, undated
File — Box: 87, Folder: 25
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1983-1984, undated
Loans. Metropolitan Museum of Art (New York, N.Y.). "Van Gogh in Saint Remy and Auvers" exhibition, 1985
File — Box: 87, Folder: 26
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1985
Loans. Metropolitan Museum of Art (New York, N.Y.). "Van Gogh in Saint-Remy and Auvers", 1986
File — Box: 87, Folder: 27
Scope and Contents
From the Sub-Series:
Although McIlhenny maintained most of the papers pertaining to his art collection and other acquisitions by the name of the relevant individual or institution, he also kept a portion filed by relevant topic. Thus "Subjects" represents yet another way McIlhenny intellectually divided material similar in format and content to the other subseries described above. Most of the "Subject" files document what could only be considered a family tradition of lending their valued paintings, sculpture...
Dates:
1986