Hamilton, Richard, 1922-2011
Found in 14 Collections and/or Records:
Art News. "The oscillating influence of Marcel Duchamp", 1973 September
Art News. "The oscillating influence of Marcel Duchamp" by John L. Tancock, page 23-29.
Draft introduction for Marcel Duchamp catalogue, circa 1972-1973
Draft introduction for Marcel Duchamp catalogue written by Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art.
Draft introduction for Marcel Duchamp catalogue, circa 1972-1973
Draft introduction for Marcel Duchamp catalogue written by Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art.
Draft introduction for Marcel Duchamp catalogue, circa 1972-1973
Draft introduction for Marcel Duchamp catalogue written by Anne d'Harnoncourt, Curator of 20th Century Art for the Philadelphia Museum of Art.
Draft preface for Marcel Duchamp catalogue, circa 1973
Draft preface for Marcel Duchamp catalogue written by Evan H. Turner and Richard Olenburg with notes by Anne d'Harnoncourt.
Draft preface for Marcel Duchamp catalogue, 1973 August 24
Draft preface for Marcel Duchamp catalogue written by Evan H. Turner and Richard Olenburg with notes by Anne d'Harnoncourt.
Excerpt from publication about Marcel Duchamp and Richard Hamilton, undated
Excerpt from publication about Marcel Duchamp and Richard Hamilton.
Excerpt from "The Bride Btripped Bare by Her Bachelors, Even: A Typographic Version" [photocopy], 1960
Excerpt from "The Bride Btripped Bare by Her Bachelors, Even: A Typographic Version" [copy] by Richard Hamilton of Marcel Duchamp and translated by George Heard Hamilton.
Marcel Duchamp and André Breton, 1973 January 15
Lebel, Robert. "Marcel Duchamp and André Breton." Copy edited by Francis Kloeppel.
Marcel Duchamp's Impossible Bed and Other 'Not' Readymade Objects: A Possible Route of Influence from Art to Science, 1997
Shearer, Rhonda Roland. "Marcel Duchamp's impossible bed and other 'not' readymade objects: a possible route of influence from art to science." Paper submitted to Art & Academe from lecture given at the School of Visual Arts, Eleventh Annual National Conference on Liberal Arts and the Education of Artists.
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