Duchamp, Marcel, 1887-1968
Found in 640 Collections and/or Records:
34th Street Magazine. "Exhibit transcending a showcase, retrospective", circa 1974
34th Street Magazine. "Exhibit transcending a showcase, retrospective" by Erika Wallace [copy].
"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'", undated
"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'" by Richard Hamilton [copy].
Academy Show, Arensberg Collection, Wright Exhibit Enliven Scene, 1951 January 21
"Academy Show, Arensberg Collection, Wright Exhibit Enliven Scene" by Gertrude Benson. Clipping from the Philadelphia Inquirer.
Agence France Presse clipping, circa 1976-1977
Agence France Presse clipping [copy].
Alitalia Magazine. "Marcel Duchamp a Palazzo Grassi", 1993 April
Alitalia Magazine. "Marcel Duchamp a Palazzo Grassi" [copy].
Almanac. "Marcel Duchamp: a centennial tribute to the master eccentric of modern art", 1987 March - April
Almanac, volume 18, number 2. "Marcel Duchamp: a centennial tribute to the master eccentric of modern art" by Anne d'Harnoncourt.
Ambler Gazette. "Duchamp's Irreverence is Now Legitimate", circa 1974
Ambler Gazette. "Duchamp's Irreverence is Now Legitimate" by Russ Shor.
Analytical Art. "Duchampian Delinquency and the Constitutive Cure", 1971 July
Analytical Art, number 1. "Duchampian Delinquency and the Constitutive Cure" by Philip Pilkington [copy].
Anonyme no longer: The private collection of Katherine Dreier, long a public patron of modern art, makes a lively new show at Yale University, 1953 January
"Anonyme no longer: The private collection of Katherine Dreier, long a public patron of modern art, makes a lively new show at Yale University" by George Heard Hamilton. Clipping from Art News, vol. 51, no. 9.
Anuario del Departamento de Historia y Teoría del Arte. "Duchamp: Maquinación de los ready-mades", 1992
Anuario del Departamento de Historia y Teoría del Arte. "Duchamp: Maquinación de los ready-mades" by Juan Antonio Ramírez.
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