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Rishel, Joseph J.

 Person

Biography

Joseph J. Rishel came to the Philadelphia Museum of Art in 1971 as Associate Curator of Painting before 1900. By the following November, he was also serving as curator to the Johnson Collection. Overseeing the department since its inception in 1973, Rishel was also the Museum's Gisela and Dennis Alter Senior Curator of European Painting before 1900, and the Senior Curator of the John G. Johnson Collection and the Rodin Museum.

Found in 11 Collections and/or Records:

Memorandum from Evan H. Turner to Carl Colozzi, Anne d'Harnoncourt, John Tancock, Joseph Rishel, Kneeland McNulty, and Michael Botwinick, 1971 October 1

 Object — Box: 11, Folder: 8
Identifier: MDE_B011_F008_001
Scope and Contents

Memorandum from Evan H. Turner, Director of the Philadelphia Museum of Art, to Carl Colozzi, Anne d'Harnoncourt, John Tancock, Joseph Rishel, Kneeland McNulty, and Michael Botwinick.

Dates: 1971 October 1

Memorandum from Joe Rishel to Anne d'Harnoncourt, 1987 January 12

 Object — Box: 25, Folder: 64
Identifier: MDE_B025_F064_003
Scope and Contents

Correspondence from Joe Rishel, Curator of European Painting, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

Dates: 1987 January 12

Memorandum from Joe Rishel to Anne d'Harnoncourt, 1987 October 15

 Object — Box: 25, Folder: 67
Identifier: MDE_B025_F067_010
Scope and Contents

Correspondence from Joe Rishel, Curator of European Painting, to Anne d'Harnoncourt, George D. Widener Director of the Philadelphia Museum of Art.

Dates: 1987 October 15

Photograph of "Rotoreliefs", undated

 Object — Box: 20, Folder: 1
Identifier: MDE_B020_F001_020
Scope and Contents

Duchamp, Marcel. "Rotoreliefs," 1953. Photo by the Philadelphia Museum of Art.

Dates: undated

Photograph of "Rotoreliefs", undated

 Object — Box: 20, Folder: 1
Identifier: MDE_B020_F001_021
Scope and Contents

Duchamp, Marcel. "Rotoreliefs," 1953. Photo by the Philadelphia Museum of Art.

Dates: undated

Rishel, Joseph, 2011

 File — Box: 1, Folder: 10
Scope and Contents From the Collection: The Oral History Collection preserves first-hand accounts of the museum’s activities. This collection is comprised of transcripts, audio and video interviews with artists, museum staff, scholars, curators, and trustees.The recording of oral histories began at the museum in the 1980s and restarted in 2006, with an informal series of interviews that included Henry Magaziner (a close friend of Julian Abele, a noted architect and co-designer of the museum’s Fairmount Building), Ella...
Dates: 2011

Rishel, Joseph J., 1974-1982

 File — Box: 18, Folder: 2
Scope and Contents From the Sub-Series: With her appointment in 1972 as PMA's first associate curator of 20th century painting, the media soon recognized and reported on d'Harnoncourt's work and promising career future. In 1977, the well-known New York Times art critic, John Russell singled out d'Harnoncourt in his article, "The Arts in the 70's: new tastemakers on stage," which is included here in photocopy form. Noting the impact of women holding influential positions in the art world and because of their number being too many...
Dates: 1974-1982

Rishel, Joseph J., 1993, 1996

 File — Box: 1, Folder: 21
Scope and Contents From the Sub-Series: Although d'Harnoncourt did not assume the role of Chief Executive Officer until 1997, her appointment was announced by February of the previous year. Thus her appointments as Museum Director and Chief Executive Officer define the parameters of the "1982-1996" sub-subseries. As the number of files indicates, her appointment as director drew many congratulations. Well-wishers included artists such as Emlen and Gloria Etting, Sol Lewitt and George Segal, as well as other prominent figures, such...
Dates: 1993, 1996

Rishel, Joseph J., 1998-1999

 File — Box: 3, Folder: 21
Scope and Contents From the Sub-Series: This sub-subseries and the remaining ones replicate the arrangement by date span of d'Harnoncourt's PMA records that were created after 1996. All date spans, therefore, coincide with her dual role as PMA's director and CEO. Of note in this sub-subseries are the letters of congratulations sent to d'Harnoncourt upon her receipt of The Philadelphia Award, one of the city's most prestigious recognitions, and one bestowed nearly 50 years earlier to d'Harnoncourt's directorial predecessor at PMA,...
Dates: 1998-1999

Rishel, Joseph J., 2001-2002

 File — Box: 6, Folder: 2
Scope and Contents From the Sub-Series: As documented in the "Library Company of Philadelphia" folder, d'Harnoncourt again crossed paths with Fiske Kimball, her directorial predecessor by 30 years. (Both were recipients of the prestigious Philadelphia Award--Kimball in 1950 and d'Harnoncourt in 1997.) In the tradition of Benjamin Franklin and its other original founders, the Library Company offers shares in its organization as a form of support. In 2001, it informed d'Harnoncourt that the share previously purchased in 1929 by...
Dates: 2001-2002