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Covert, John, 1882-1960

 Person

Biography

The painter John Raphael Covert (1882-1960) was born in Pittsburgh, Pennsylvania in 1882. He entered the Pittsburgh School of Design in 1902 where he studied with the realist painter Martin Leisser and developed a conservative, academic style. At the age of twenty-six, Covert won a German government scholarship and travelled to Munich where he studied at the Akademie der Bildenden Kunste from 1909 to 1912. From Munich, he moved to Paris where he remained for three years, continuing to paint realistic nudes and portraits ignoring the modernist influences around him.



Covert's style changed dramatically shortly after his return to the United States in February 1915. Covert settled in New York City where he became a regularly participant in the frequent gatherings of American and European artists, intellectuals, and writers at the W. 67th Street apartment of Covert's cousin, Walter Arensberg, and his wife, Louise, between 1915 and 1921. The Arensbergs' were avid patrons of modern art. Covert responded to these many modernist influences by abandoning his academic style. He first produced Cubist paintings, and later integrated unusual materials such as string and upholstery tacks into his works. Between 1915 and 1918, Covert was particularly close with Marcel Duchamp. Together with a group of like-minded individuals, Covert helped to form the Society of Independent Artists in 1916. He served as the Society's first secretary and helped to organize its 1917 inaugural exhibition.



Despite representation by the de Zayas Gallery, Covert's paintings received little recognition and he was not able to sustain himself financially. Covert abandoned his professional life as a painter in 1923 and became a traveling salesman for the Vesuvius Crucible Company, his family's Pittsburgh based company which provided parts for the steel industry. Despite his removal from the avant-garde art world, Covert continued to pursue interests he shared with Walter Arensberg and others in his New York circle of friends, namely cryptography, mathematics and puns. Like his cousin, Covert believed that cryptography could be used to solve the Shakespeare-Bacon controversy, the principal theory pursued by Walter and his research institute, The Francis Bacon Foundation. Covert spent years experimenting with complex number and word puzzles, including magic squares, anagrams and acrostics, in an attempt to show Sir Francis Bacon was the true author of William Shakespeare's plays. Following the Arensbergs' move to Hollywood, California in 1921, he visited the couple at least once to collaborate with Walter on his studies. Covert also used code to record many of the entries in the financial daybooks and ledgers he kept while a salesman.



Covert never seemed to adjust fully to his new professional life. He made a point of visiting galleries whenever in New York and continually implied that he wanted to paint but was unable. He suffered from many health problems, underwent two major operations in 1945, and died in 1960. His works are in the collections of the Yale University Art Gallery, the Seattle Museum of Art, and the Philadelphia Museum of Art, as well as a number of private collections.

Found in 62 Collections and/or Records:

Correspondence from Francis Arensberg to John Raphael Covert, 1950 November 9

 Object — Box: 22, Folder: 4
Identifier: WLA_B022_F004_001
Scope and Contents

Correspondence from Francis Arensberg to John Raphael Covert [copy].

Dates: 1950 November 9

Correspondence from Francis Arensberg to John Raphael Covert, 1950 November 9

 Object — Box: 22, Folder: 4
Identifier: WLA_B022_F004_002
Scope and Contents

Correspondence from Francis Arensberg to John Raphael Covert [copy].

Dates: 1950 November 9

Correspondence from John Raphael Covert to Louise Arensberg, 1932

 Object — Box: 5, Folder: 36
Identifier: WLA_B005_F036_003
Scope and Contents

Correspondence from John Raphael Covert to Louise Arensberg.

Dates: 1932

Correspondence from John Raphael Covert to Walter Arensberg, 1932 March 6

 Object — Box: 5, Folder: 36
Identifier: WLA_B005_F036_001
Scope and Contents

Correspondence from John Raphael Covert to Walter Arensberg.

Dates: 1932 March 6

Correspondence from John Raphael Covert to Walter Arensberg, 1933 June 19

 Object — Box: 5, Folder: 36
Identifier: WLA_B005_F036_002
Scope and Contents

Correspondence from John Raphael Covert to Walter Arensberg.

Dates: 1933 June 19

Correspondence from Katharine Kuh to Walter and Louise Arensberg, 1949 March 6

 Object — Box: 2, Folder: 5
Identifier: WLA_B002_F005_010
Scope and Contents

Correspondence from Katharine Kuh, Curator of Gallery of Art Interpretation at the Art Institute of Chicago, to Walter and Louise Arensberg.

Dates: 1949 March 6

Correspondence from Katharine Kuh to Walter and Louise Arensberg, 1949 October 18

 Object — Box: 2, Folder: 6
Identifier: WLA_B002_F006_006
Scope and Contents

Correspondence from Katharine Kuh, Curator of Gallery of Art Interpretation at the Art Institute of Chicago, to Walter and Louise Arensberg.

Dates: 1949 October 18

Correspondence from Ruth Calder to Katharine Kuh, 1949 March 18

 Object — Box: 2, Folder: 5
Identifier: WLA_B002_F005_014
Scope and Contents

Correspondence from Ruth Calder to Katharine Kuh, Curator of Gallery of Art Interpretation at the Art Institute of Chicago.

Dates: 1949 March 18

Correspondence from Wallace Stevens to Fiske Kimball, 1954 February 23

 Object — Box: 181, Folder: 2
Identifier: FKR_B181_F002_041
Scope and Contents

Correspondence from Wallace Stevens to Fiske Kimball, Director of the Philadelphia Museum of Art.

Dates: 1954 February 23

Correspondence from Walter Arensberg to Worth Ryder, 1943 February 23

 Object — Box: 19, Folder: 10
Identifier: WLA_B019_F010_009
Scope and Contents

Correspondence from Walter Arensberg to Worth Ryder, Professor in the Department of Art at the University of California, Berkeley.

Dates: 1943 February 23

Additional filters:

Type
Archival Object 61
Collection 1
 
Subject
photographic prints 32
New York City, United States 23
correspondence 19
Philadelphia, United States 7
Hollywood, United States 4